Violet & Daisy (2011)
Starring: James Gandolfini, Alexis Bledel, Saoirse Ronan
Written and Directed by: Geoffrey Fletcher
My Rating: 6.1
Worth: No money, multitasking
Clairometer: Jenny Curran
The title of this post makes no sense and neither does this movie. However, from the limited interviews I watched with Geoffrey Fletcher (yes that is what I do for fun and in preparation for this blog that no one reads), that was his intention. He answers no questions about the plot or the strange, seemingly irrelevant scene during the credits. He merely hopes you will create your own interpretation for everything. Creatively generous, no? In an attempt to explain my title: the film is a combination of Leon the Professional, Pulp Fiction, and taking a stroll through anthropologie. I say Pulp Fiction with a caveat though, as there is only one plot line. And bouquet, because the girls are "delicate" flowers. It is slow, gory, and colorful. It would be painful to watch without Ronan and Bledel's beautiful blue eyes. The four of them are practically characters in the same way Zooey Deschanel's eyes are in any role she plays. The film is also on the semi-recent bandwagon of not establishing a decade. Until Violet uses a cell phone, I thought this was a period piece from the 70s. Perhaps it's the lighting. Or perhaps it's an attempt to create a timeless work.
The girls are technically adults and yet they play pattycake and thumb war. Oh and they also kill people. It's quite an obvious juxtaposition. The girls' boss* assigns them a new kill and this particular assassination is a bit difficult. It's a lovable, fatherly James Gandolfini. That, added to the girls being so pretty and seemingly innocent equals only one ending right? Daddy issues coming out in an R-rated sexual display. In the words of Borat, NAAAT. Gandolfini takes me back to The Mexican and reminds me how he can add heart and chivalry to an action film [you are missed papa bear]. That surprising turn of events, and the beautiful cinematography made this an interesting and, at times, heartfelt movie. It's slow and strange, but you fall in like with the brutal killers.
*played by Danny Trejo. But Trejoites be warned, he's on screen less than Drew Barrymore in Scream.
Written and Directed by: Geoffrey Fletcher
My Rating: 6.1
Worth: No money, multitasking
Clairometer: Jenny Curran
The title of this post makes no sense and neither does this movie. However, from the limited interviews I watched with Geoffrey Fletcher (yes that is what I do for fun and in preparation for this blog that no one reads), that was his intention. He answers no questions about the plot or the strange, seemingly irrelevant scene during the credits. He merely hopes you will create your own interpretation for everything. Creatively generous, no? In an attempt to explain my title: the film is a combination of Leon the Professional, Pulp Fiction, and taking a stroll through anthropologie. I say Pulp Fiction with a caveat though, as there is only one plot line. And bouquet, because the girls are "delicate" flowers. It is slow, gory, and colorful. It would be painful to watch without Ronan and Bledel's beautiful blue eyes. The four of them are practically characters in the same way Zooey Deschanel's eyes are in any role she plays. The film is also on the semi-recent bandwagon of not establishing a decade. Until Violet uses a cell phone, I thought this was a period piece from the 70s. Perhaps it's the lighting. Or perhaps it's an attempt to create a timeless work.
The girls are technically adults and yet they play pattycake and thumb war. Oh and they also kill people. It's quite an obvious juxtaposition. The girls' boss* assigns them a new kill and this particular assassination is a bit difficult. It's a lovable, fatherly James Gandolfini. That, added to the girls being so pretty and seemingly innocent equals only one ending right? Daddy issues coming out in an R-rated sexual display. In the words of Borat, NAAAT. Gandolfini takes me back to The Mexican and reminds me how he can add heart and chivalry to an action film [you are missed papa bear]. That surprising turn of events, and the beautiful cinematography made this an interesting and, at times, heartfelt movie. It's slow and strange, but you fall in like with the brutal killers.
*played by Danny Trejo. But Trejoites be warned, he's on screen less than Drew Barrymore in Scream.
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